Within the expansive canvas of the “Ovieye (series collection),” a mixed media exploration unfolds, each stroke meticulously crafted to convey the essence of sibling bonds. Originating from the contemplation of “Siblings,” the series takes on a more intimate dimension as I christen it “Ovieye,” a term in Benin meaning “siblings from the same mother.” English, I believe, lacks the nuanced expressiveness needed for this collection.
As the elder among my four siblings, this series becomes a profound expression of my affection for them. The unity we share and the cherished memories of our collective upbringing are translated into the visual poetry of “Ovieye,” capturing the organized beauty inherent in our shared moments.
Drawing inspiration from the Ikom stone monoliths of Calabar, these paintings echo the conical structures standing 2 to 4 feet tall. Engraved with abstract representations of mouth, nose, eye, navel, beard, and geometric decorations, these monoliths captivate me with their elegant natural forms and towering presence.
Adding a touch of femininity, the rounded forms and rings in the paintings find inspiration in the waist beads worn by Igbo maidens and dancers. This infusion of cultural elements enriches the visual tapestry, creating a harmonious blend that reflects not only my personal sentiment but also the diverse cultural influences that shape the narrative of “Ovieye Chronicles.”
